Showing posts with label Photoshop. Show all posts
Showing posts with label Photoshop. Show all posts

Monday, November 5, 2012

Still Life Color Studies



Bruna Massadas, Untitled (Rainbow Still Life), 2011. 

Bruna Massadas, Untitled (Rainbow Still Life), 2011.
Bruna Massadas, Untitled (Rainbow Still Life), 2011.
Bruna Massadas, Untitled (Rainbow Still Life), 2011.

Bruna Massadas, Untitled (Rainbow Still Life), 2011. 

Bruna Massadas, Untitled (Rainbow Still Life), 2011.


Bruna Massadas, Untitled (Rainbow Still Life), 2011.




Wednesday, September 26, 2012

Hot Bodies





Dana Schutz, Frank on a Rock, oil on canvas, 2002. Schutz says, "I have been working on a group of paintings loosely hinged on the act of painting a fictional man from observation...the paintings are premised on the imaginary situation that the man and I are the last people on earth. The man is the last subject and the last audience and, because the man isn't making any paintings, I am the last painter."







Brooke Shields at age 10, photographed by Garry Gross in 1975 and rephotographed by Richard Prince in his 1993 work, "Spiritual America." The version seen here was found on the internet and has been further altered; someone has cropped the photo, changed the color, and added a black and green border. Shields has unsuccessfully fought to gain control over the photographs in this series for years. Courts have said both that Shields' career was built on her sexuality (and thus she has no reason to complain) and that the photographs are not sexual in nature: "They are pictures of a prepubescent girl posing innocently in the bath." Prince's version of the photograph was sold at Christie's in 1999 for $151,000.


Monday, September 24, 2012

Painting is Dead Because


Painting is dead

because painting stops my body.

because painting ask us to see more in ourselves than what is in front of us.

because painting asks for contemplation, which has been removed from our times.

because words are not given and it is up to you (and only you) to find them (if you would like to).

because it is time-consuming.

because I am more anxious to take a photo of a painting than to be in its presence.

because I am bored with myself.

because I am bored with others.

because I’d rather be texting.

because painting is not like Las Vegas.

because what is old is useless.

because Picasso has died.

because everybody keeps talking about him.

because I can’t get a job.

because I need alliances.

because there is really no way be objective.

because I will end up teaching painting, if I am lucky, to kids who, if they are lucky, will spend their time teaching painting to kids that will…

because I need an ego.

because painting is too much like knowing myself.

because painting is intimate.

because is it beautiful and it could cause me to cry.

because we are scared to make no sense.

because we need approval.

because there is enough paintings in the world.

because my child can do a better job.

because pink is the new black.

because I have Photoshop.

because engineers are the painters of our times.

because in my mind the euphoria over a new Caravaggio at the late 1500s was like the euphoria over an iphone today.

because I never know what to say in studio visits.

because what would Roberta Smith write about?

because I might be dead (and dreaming).

because oil paint could give you cancer.

because I need to validate painting by using uncommon materials so there is something new to this old thing.

because painting is also sculpture that is also a video that is also a collage that is also…

because Greenburg would approve.

because I need to deconstruct painting

because painting is.